You do need to clean all of the pots because these will either be scratchy, frozen, or produce the awful squeeling noises another owner noted above.
I like the fact that it can be both a in-line and split board depending upon your record monitoring needs. I purchased one of these used about 10 years ago and have enjoyed it very much.
Product: Studiomaster - Series II - 16-16-2 This mixer was also available as 16:4:2 and 16:8:2 configs.Īnyone still using one of these babies?. The Series II had a rackmountable seperate power supply which was a big improvement on the rather weedy onboard units fitted inside the Mixdown series. Crafty buggers eh those Studiomaster boys, they offered and upgrade path for your mixer! The main image at the top of the page (and the large image you can open below) has had 2 x 8 channel expansions added and the extra 8 bus expansion so it'd be a 32-24-2 with 24 monitor bus's I think is right.
The mixer responds to MIDI Note-On, Note-Off, & Key-number information & reads and writes data to/from your sequencer for muting channels and Aux returns.Ĥ band sweep eq, 6 Aux's, 100mm Alps faders, phase-reverse, 48v phantom power, and the mixer like previous Studiomaster series is expandable (or was expandable when the units were available) to 40 inputs and 24 tape monitors. In fact, Studiomaster pioneered this mute automation, & as far as I know this was the first retail mixer with MIDI automation onboard. This mixer to all intents and purposes is a Studiomaster Mixdown with added MIDI Controlled Muting (MCM) automation. Studiomaster Series II - 16-16-2 Another old classic from Studiomaster who ruled the waves for home/budget studio mixers back in the 80's, along with Allen & Heath (A&h) and Soundcraft.
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